Plain-language reference

Music Terms

The theory and banjo vocabulary used throughout Banjo Lab. Examples begin in G major whenever possible, because a five-string banjo is commonly tuned to open G.

The building blocks

Notes & scales

Note
A named musical pitch, such as G, A, or B. The same note name repeats higher or lower in different octaves.
Half step
The smallest distance in the common Western note system. On a banjo, moving one fret raises or lowers a note by one half step.
Whole step
A distance of two half steps, or two frets on the same banjo string.
Sharp
Raises a note by one half step. F♯ is one fret higher than F.
Flat
Lowers a note by one half step. B♭ is one fret lower than B.
Natural
Cancels a sharp or flat so the note returns to its unaltered letter name.
Enharmonic
Two names for the same pitch, such as F♯ and G♭. The spelling changes to fit the key or musical context.
Scale
An ordered collection of notes. A G major scale is G–A–B–C–D–E–F♯–G.
Diatonic
Notes or chords that naturally belong to a seven-note major or minor scale. The diatonic chords in G major use only notes from the G major scale.
Pentatonic
A five-note scale. The major pentatonic uses scale degrees 1, 2, 3, 5, and 6; the minor pentatonic uses 1, ♭3, 4, 5, and ♭7.
Blues scale
A minor pentatonic scale with an added flat fifth. That extra “blue note” creates tension between the fourth and fifth.
Mode
A scale family made by changing which note feels like home within a particular pattern of whole and half steps.
Dorian
A minor mode with a natural sixth. Its formula is 1, 2, ♭3, 4, 5, 6, ♭7.
Phrygian
A minor mode with a flat second. Its close half step above the root gives it a dark, tense sound.
Lydian
A major mode with a raised fourth, creating a brighter and more spacious sound than the major scale.
Mixolydian
A major mode with a flat seventh. It is common in fiddle tunes, blues, and music built around dominant chords.
Locrian
A minor mode with a flat second and flat fifth. Its unstable sound makes it useful for studying musical tension.
Harmonic minor
A natural minor scale with a raised seventh, creating a strong pull from the seventh degree back to the root.
Melodic minor
A minor scale that raises the sixth and seventh while ascending. Classical practice often lowers them again while descending.
Major
A scale or chord quality often heard as bright or settled. A major chord contains a root, major third, and perfect fifth.
Minor
A scale or chord quality often heard as darker. A minor chord lowers the major chord’s third by one half step.
Interval
The distance between two notes. A third, fourth, and fifth are interval names counted from the starting note.
Octave
The distance from one note to the next note with the same name, such as G up to the next G.
Perfect fifth
An interval spanning five letter names. G up to D is a perfect fifth and is the relationship that organizes the circle of fifths.

How notes work together

Keys & harmony

Key
The tonal home of a piece of music. In the key of G major, G feels like the main point of rest and the music mainly uses the G major scale.
Key signature
The sharps or flats normally used in a key. G major has one sharp, F♯; F major has one flat, B♭.
Scale degree
A note’s numbered position in a scale. In G major, G is 1, A is 2, and D is 5.
Roman numeral
A label for a chord’s position in a key. Uppercase usually means major, lowercase means minor, and a degree sign means diminished.
Relative minor
The minor key that shares a major key’s notes and key signature. It begins on scale degree 6; E minor is the relative minor of G major.
Relative major
The major key that shares a minor key’s notes and key signature. G major is the relative major of E minor.
Chord
Two or more notes sounded together. Most chords in these exercises are three-note major, minor, or diminished triads.
Triad
A three-note chord built from a root, third, and fifth. G–B–D forms a G major triad.
Diminished
A tense chord quality made from a root, minor third, and lowered fifth. The vii° chord in a major key is diminished.
Chord progression
A sequence of chords. I–IV–V–I in G major means G–C–D–G.
Circle of fifths
An arrangement of keys by perfect fifths. Moving clockwise adds sharps; moving counterclockwise adds flats.

On the instrument

Banjo & practice

Open G tuning
The common five-string banjo tuning g–D–G–B–D. Strumming all open strings produces a G major chord.
Open string
A string played without pressing a fret. In tablature it is shown with the number 0.
Fret
A position on the fingerboard. Each fret raises the string’s pitch by one half step.
Chord shape
A left-hand fingering pattern that can be moved to make different chords. This site uses the common barre, F, and D major shapes.
Barre shape
A movable chord shape made by holding several strings at the same fret, often with one finger laid across the neck.
F shape
A movable major-chord fingering based on the first-position F chord shape. The chord’s root appears on strings 1 and 4.
D shape
A movable major-chord fingering based on the first-position D chord shape. Its root appears on the second string.
Tablature (tab)
A notation system showing which string and fret to play. The lines represent strings and the numbers represent frets.
Roll
A repeating right-hand picking pattern using thumb, index, and middle fingers to create an even stream of notes.
Measure
A group of beats. In 4/4 time, one measure contains four quarter-note beats.
Tempo
The speed of the music, commonly measured in beats per minute.
BPM
Beats per minute. A metronome at 80 BPM clicks 80 times in one minute.
Downbeat
The first and usually strongest beat of a measure. The Banjo Lab metronomes accent it with a higher click.